released December 21, 2018
...made almost entirely within the electronic environs of Fruity Loops 10, also utilising a Microkorg Sl+ for it's Vocoder facilities...
...anotherQUATILYproduct...
...providing your daily prescription of a cry and two laughs...
There is no definition of a mental disorder. It’s bull****. I mean, you just can’t define it, he said.Real information like this is what has led the mainstream news to re-title their pieces regarding the new classification of creativity as a mental illness, changing the headlines to more ‘ginger’ ways of linking the two together. Meanwhile, the writers of the study claiming that creativity is part of a mental illness are quite clear in stating that creativity is literally a mental illness. The extent in which you wish to ‘treat’ your creativity, however, is apparently up to you and your doctor.
If one takes the view that certain phenomena associated with the patient’s illness are beneficial, it opens the way for a new approach to treatment. In that case, the doctor and patient must come to an agreement on what is to be treated, and at what cost.As expected the way to ‘treat’ your creativity is of course to take pharmaceutical drugs in the form of anti-depressants or hardcore psychotropic drugs. The same drugs that virtually all suicidal massacre shooters have taken before or during their rampages.
Wow this video will bring you right back to the farm in Manchester, Tennessee. The three minute time-lapse video expertly directed by Matt Ornstein is comprised of hundreds, if not thousands of pictures in a row to remind us of that familiar trek around Bonnaroo. You’re thrusted into the Radiohead show at the two minute mark, and its exhilarating with “The Daily Mail” soundtracking the journey.
Record labels and Hollywood have described The Pirate Bay as one of the biggest threats to their business, but thousands of artists clearly disagree with this view. In recent weeks more than 5000 independent artists have signed up to be promoted by the world’s largest torrent site. Those who were lucky enough to be featured are overwhelmed by the career boost and the positive responses from the public.
For many independent artists obscurity is a bigger problem than piracy, but it’s a problem that The Pirate Bay is trying to solve.
Earlier this year the site rolled out a new promotion platform for filmmakers, musicians, writers and all other artists alike. To help them reach an audience of tens of millions of people, The Pirate Bay started offering the artists a prime advertising spot on the site’s homepage, replacing the iconic logo.
While The Pirate Bay team expected a decent response, they were positively surprised by the avalanche of submissions that have come in since. The Pirate Bay team informed TorrentFreak that thus far they have received more than 5000 applications. Nearly 90% come from musicians and 95% of them are male.
Artists who choose to participate have to offer something free in return and many artists from all over the world have done so. The list includes best-selling author Paulo Coelho who’s a big Pirate Bay supporter.

“Thus far we’ve done 14 regular campaigns in 3 countries each and 8 worldwide promotions,” Pirate Bay’s Winston told TorrentFreak, who added that the initial plan has changed a bit due to the massive success.
“When we started the project the plan was to do a few worldwide promotions a year, but the submissions have been too good. So now we’re gonna do the worldwide promos every weekend and some regulars every now and then.”
For the artists the promotion campaigns are paying off as well. George Barnett added 4,000 new Facebook fans during the campaign and his video was viewed 85,000 times in total. And Tomás Vergara, the maker of short film The Chase, got 250,000 views of his video in just three days.
“When I had a reply saying that they liked it and I’d have a worldwide display on The Pirate Bay homepage, I pulled off my hair. I think its been a while since I’ve opened my eyes that wide,” Vergara said looking back at receiving the good news.
“Now The Chase is having massive exposure. I’m so damn happy. This is the kind of things you were not expecting in life, I guess,” he added.
While The Pirate Bay team is looking for quality content, they also want to cover a wide range of genres. In a few years The Pirate Bay hopes that a few of the artists they helped to promote will turn into independent stars.
“The future will show what the impact of the Pirate Bay promotions is. I’m absolutely certain that at least 2 or 3 of them have become superstars by then,” The Pirate Bay’s Winston told us.
However, making stars is not the most important.
For the Pirate Bay the main goal is to give something back to the creators of this world. Give them an honest push instead of exploiting artists’ copyrights for commercial gains, as they say the major record labels do.
“We’re one of the worlds top 60 sites in the Internet. This brings us a responsibility to use the site to do something good. When I think about it, it’s insane that all the other top 100 sites only blast ads and self-centered stuff on their front pages. ”
“We do this for fun and for the love of culture, so we’re everything the major labels are not.”
Artists who are interested in getting featured are welcome to apply, but due to the success getting signed with a major record label might be easier.
by Jared Smith
Tel Aviv’s Virgin Magnetic Material is a remix project by musican Shai Vardi, who takes mostly old classics and gives them a disco overhaul. “Virgin Magnetic Material is a definition from the electronic world, describing core or shield material that has never been magnetized.” We already featured his A Flock of Seagulls and Flight of The Conchords remixes, now it’s time to catch up with some of his recent creations. Stream his nu-disco takes on classics like Led Zeppelin’s “Ramble On”, Hall & Oates’ “I Can’t Go For That”, and Fleetwood Mac’s “Landslide”. After that, he’s got over 50 more streams on his prolific Soundcloud
Published on 29 Mar 2012 by theavclub
The Wedding Present formed 25 years ago in the north of England, and it's safe to say that the band was more influenced by The Buzzcocks and The Fall than by The Rolling Stones. Still, it sounds pretty spectacular when The Wedding Present--in the middle of a tour celebrating the 21st anniversary of its excellent album Bizarro--brings the noise to The Rolling Stones' 1966 classic "19th Nervous Breakdown." The Wedding Present is the only band (so far--is that a hint?) to have a song on the Undercover list and to perform a cover for us: "My Favourite Dress" will rear its head later this summer.
We heard the thirty second snippet and saw the hilarious comeback video, now here’s the stream for the six minute “Rize Of The Fenix” off Tenacious D’s upcoming album of the same name. Equal parts acoustic, hard rock, and side splitting comedy make this an impressive reunion track. We can’t wait to hear the whole album, which you can pre-order now!
We just hit a milestone: 100,000 free concert recordings from over 5,200 bands!
A fun trip through the history:
The Grateful Dead started a tradition in the 60′s to allow taping of their concerts and sharing those tapes as long as no one made any money. Key: no one made any money.
A generation of deadheads became fantastic archivists. The songs were annotated, the loss in quality through copying was minimized. New tapers were brought into the fold.
Other bands, and their fans, started to join in: taping became one of the ways to participate in a community around a band’s music.
When music went digital, they wanted to put an end to generational loss through copying by passing on uncompressed files. They even developed a way to compress these files losslessly saving file size without losing quality: shn then flac formats, I believe, were developed by the tapers.
The Internet made digital music trading possible, but the files were big. The ETree community started a database of shows to help facilitate accurate transfer. John Gilmore and John Perry Barlow translated the Dead’s taper permission to the Internet generation.
The Internet Archive offered to the ETree community to provide “unlimited storage, unlimited bandwidth, forever, for free” in an email in 2002. The reply came back: “We don’t believe you. But if you could, that would be our dream.” We decided to give it a try. But posting concerts on a website was different from tape trading so we decided to ask for some sort of permission from the taper friendly bands. ETree volunteers started to ask for email confirmation and these were then put in each band’s collection page.
About 1-3 bands sign up and 30 concerts are uploaded every day ever since! Volunteer administrator Tyler Huff has been keeping a milestone post going.
These concerts have been downloaded or listened to almost 800,000,000 times. The Grateful Dead collection alone is over 65,000,000 for the over 8,000 concert recordings on the site.
The total data space for the live music archive is now 112,000,000,000,000 Bytes (112TB), and the Grateful Dead collection is 12TBytes.
This is working for the Internet Archive because our mission is to make the cultural works of humankind available to all. It is also showing that we can share and be happy about it.
Thank you to all the 5,200 bands that have participated. Thank you to the over 5,800 people that have uploaded shows. Thank you to the fabulous admins Tyler Huff, JohnD, Dave Mallick, Diana Hamilton, Peter Hedeman, Brad LeBlanc, Marc Pujol, Tom Horton, and Tom Anderson. Thank you to the Grateful Dead and those that created and supported this tradition such as John Gilmore, John Perry Barlow, Geoff Sears, and Matt Vernon. Thank you to the Archive staff such as Jon Aizen, Parker Thompson, Tracey Jaquith, Alexis Rossi, and Jeff Kaplan.
Support Live Music! Please go out to see a band or join one.
Uploaded by juliangaskell on 13 Mar 2012
JULIAN GASKELL & ZAPOPPIN' performing live at Miss Peapods, Penryn, 10th March 2012. http://www.juliangaskell.co.uk